Snowstorm Poet

Okay, early morning run-around at Lehman College yesterday to get my student loan enacted. You know what i don't like about Lehman though? I saw a couple of Math professors there, one caucasian man and one asian, both looked so scruffy with their hats turned backwards. Is this an attempt to connect to the youth or are they just not feeling their jobs?

Then when I got to my office, there was a "suspicious package" that lead to 6 of us being detained and quarantined. Check this out though... turns out that the temp mailroom guy who opened that package might actually have been an agent sent over by the company that bought out my firm... they my have been looking for the companies reaction to such a scare tactic.
Damn, more corporate devils to appease.

Last night at the Blue Ox was my first time back at the scene since early fall, but unfortunately the last time this semester since there's scheduling conflicts.
I did that piece about the whole hoax situation that went down at my job... as usual i don't get much vocally-expressed feedback from the crowd but I've learned to sort of feel the air for vibes. There were some great poets and also some not-so-great poets, all in all though a great night to kick off the new year goals for myself.
Don't worry folks, you'll catch me at Chances "Poetically Incorrect" series, or Bar13 on Monday nights.

To the young lawyer who asked me how to get over nervousness onstage for her presentation at the college......
well I'll tell you what I learned from my experience about stage fright.
It usually helps me when I don't meet all the eyes in the room.. it's a good practice down the line because it makes your audience feel engaged, but if you're nervous its not gonna work for you. What you can do is gaze around the room while you're talking but dont actually look anyone in the face, try to look at the armrest, or even better look at their hairstyles.
OR... you could focus mainly on one person or a particular area and make eye contact with a select few people, but this will make that particular audience member uneasy... hope this helps :)

ToozDay Absence
If I could only meet one poet who's alive today in the here and now, it would have to be the legendary Miguel Algarin.
It was his book- "Love Is Hard Work"- that inspired me to touch the stage in the first place, back in the Year-Of-Chronological-Paranoia 2000. I was talking about this with a politically-charged Rich Villar last night..
Hey, LouderArts/Acentos team!
I heard you guys caught him at the Nuyo on Tuesday, I am jealous to an insane degree. lol.. anyhow, hope to make more of an effort to catch you crazy mo'fo's on Monday Nights.

NuyoRican Hip Hop Junky

Whats poppin' viewers?

When I was a young cat, I'm talkin' like Junior High School, My
brother and I used to act like we were on-air personalities for an
imaginary radio station that we called "Radio-Off-Tape-On".
That was actually written on the switch that turned the radio off on
our tiny azz boombox and got the tape deck operational, anyways me and my bro did everything.
We did fake commercials, fake songs, fake interviews, we were just
some little nuyorican Brownsville cats that were in love with
anything involved with hip hop.
I was a lil young dude and I just wanted to emulate what I knew about
rap..I used to call myself "Funkmaster Flex", and I named
my younger brother "Hellraiser Richochet". I got my name from hearing
you on the air at WBLS I believe around DJ Red Alerts time.. imagine
how far back that was!
I'm a Nuyorican (from Brownsville/East New York), I'm a spoken word
poet, I'm an emcee, and once upon a time I was the audio-video guy at
Atlantic Records, where the Terror Squad ruled.
At the time I was there, though, I didn't take full advantage of my
position, in retrospect I could've done so much more but I really
wasn't aware of how the odds were stacked against us. As a matter of
fact, it looked as if the doors were swinging wide open for latinos
when the legendary Big Pun went platinum! But here we are, a few
years later, and we're still out of the spotlight.
I believe that we ( latinos ) are still considered background
entities in regards to hip hop.. always the dancer, always the
producer..the graff artist/ promoter/ you-name-it, but rarely do we
get to be the actual performing stars on-stage.

do you feel that the time for
more latinos onstage in hip hop will come, or that our time has
passed? The decisionmakers are all corporate and not from the
public, from what I understand.. what do you think?

Don't worry, my people.. its a rhetorical question ;)

bloodclot, can anybody see this thing?